Although my official title with Double Elvis was Executive Editorial Director, I performed the duties of executive producer, showrunner, lead writer, editor, strategist, new ideas guy, and more, depending on the day. From high-level editorial playbook creation and implementation to metadata and research, I did it all during my four years with Double Elvis. I got to write over 60 scripts for the Ambie, Webby, and iHeartRadio Award winning podcast DISGRACELAND – and that’s not counting the weekly “After Party” episodes I also wrote. I was lead writer and showrunner for the shows 27 CLUB and BLOOD ON THE TRACKS, and I worked closely with partners at Amazon, Audible, Tenderfoot TV, and Interval Presents (Warner Music Group) to create some really special podcasts that examined icons of popular culture through a true crime lens.